Sonia Baez Hernandez’s Creative Writing

Intrusions
in Memory of mi angel and amigo Miguel Laclastra
Death Smells
in a distorted body, gnawed by SIDA.
The hospital
Kept him alive with muscular
intervention of modern medicine.
Encrustation of
liquids and millions of translucent
plastic systems
attaching themselves with violent gestures to
his ombligo / belly button, his anus, his mouth…
Thousands and Thousands
of plastic tubes of meted medicine
and flesh anorexic body
Becoming translucent, the colossal devours bones, flesh, and visions.
Our eyes inflamed with tears.
Báez-Hernández, Sonia (2008) “Intrusions,” Diálogo: Vol. 11: No. 1, Article 13. All copyrights are reserved to the artist ©
Polvo Azuloso
Para el Sebastine de Danticat
Tu piel azul berenjena
por momentos te recorría
como el agua
suntuosamente gigantesco,
tu rostro marino.
Tu sudor se empojaba con la humedad del roció
mis inéditas modulaciones,
mis botones forrados de velvet azul,
mientras entras el libro.
me abandonaba en el tiempo.
Te marchas desperado con el alba,
mis sabanas aun olorosas.
con los contornos del libro.
Y las sensaciones de tus labios cubistas
que se fugaban en la escritura.
Te marchas desesperado con el alba,
mis sabanas aun olorosa.
Tus manos entre la flora de mi piel
sin evitar tus olores
que se desbordan
las páginas.
Te alejas sin nadar en mis cabellos
mientras, lamento los eclipses
azules entre la escritura.
Báez-Hernández, Sonia (2008) “Polvo Azuloao” Diálogo: Vol. 11: No. 1, Article 13. All copyrights are reserved to the artist
Between Salome and Penelope
Salome waited as Penelope,
but stripped of desires, undoing the web
of words that codify.
While the bed of the olive tree unfolds a promise.
Salome deciphers the disguise of seduction.
Penelope without the rose of winds stands
to discover the indigo flame of mending
with the threats of distance.
Salome mending tears.
but lingering the return
to surpass the threats of decapitation.
Báez-Hernández, Sonia (2008) “Between Salome and Penelope” Diálogo: Vol. 11: No. 1, Article 13. All copyrights are reserved to the artist ©
Born Equal
I am Black,
with
broad-flat nose, thick lips
labios carnosos | thick lips
My skin becomes deceptive
a mirror to deflect
signification.
My
tightly coiled hair,
spreads into a field of vision
of Venus out of whitest wonder bread.
My sensuous torso with
pendulous breasts
stand like Tuareg lances.
In the Home of the Brave,
my blackness flies into territories,
into landscape,
into landlords…
My equality reduced,
distorted, contaminated,
eliminated, eaten by
words, gazes, gestures,
credit history…
I am marked by words, by my epidermis…
My skin was imprinted with a
flaming “carimbo” | branding”
My physiognomy contaminates
the field of vision
With delusions,
of a drug dealer,
dealer of dirt,
dealer of credit,
dealer of destruction,
dealer of crime…
My equality
devoured
within the phenotype
of racism.
I am Black
by words., skin, color, records, features……
Warriors saturated
with dirt, clay, color, and sudor,
expanding into territories.
Papá Ogún
God of war
standing against the landscape
with omnipotent armor.
Warriors formed with shields of
Lightning, relámpagos,
embroiled with
millions and millions of
broad-flat noses, thick lips.
Lashing, Azotando-like tropical cyclones.
The numerous shields
embellished with tightly coiled hair.
They are impregnated with
blood, dust, and sudor.
On the center of their shields
numerous encrusted mouths.
Gritando in accord igualdad.
Báez-Hernández, Sonia, “Born, Equal ” Centra Journal Vol. X11: No. All copyrights are reserved to the Artist © 2000
Enjambre de Espejos
A ti que me dejaste
sin luna entre las
pupilas,
mientras yo caminaba
desgreñada con una
preñez sin luz.
A ti con enjambres entre
los labios
mientras yo
náufraga de ausencias
de besos y luna.
A ti con palabras de espejos
donde se reflejaban
mis senos,
me dejaste despoblada
con reverberaciones
de prometeo sin futuro.
Mientras yo poseída
de neblinas en las pupilas,
yo queriéndote intimo
mientras te alejabas
con espejos repletos
de silencios.
Báez-Hernández, Sonia “Emjambre de Espejo” Polvo: Vol. 11: No. 1, Article 13. All copyrights are reserved to the Artist © 2008